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Seattle Central Library
New Structure Joins Others Featuring Glass Curtainwall
By Sheila Bacon
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The new Seattle Central Library
is clad entirely in glass, resulting in a building
that not only reflects the architects' unique vision,
but also one that is highly energy efficient as well.
Photo by Sheila Bacon
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Whether it's for form or function, glass curtainwall systems
are gaining in popularity throughout Seattle. While Marion
Oliver McCaw Hall's clear glass serpentine-shaped wall is
eye candy at the renovated opera hall's main entrance, the
new Seattle City Hall's glazing system acts as a heat regulation
system; warming the building in the winter and cooling it
in the summer.
The new Seattle Central Library features the city's latest
offering of curtainwall artistry, combining beauty with functionality.
The 412,000-sq.-ft. structure is clad entirely in glass, resulting
in a building that not only reflects the architects' unique
vision, but also one that is highly energy efficient as well.
To understand the idea behind the all-encompassing glass
curtainwall, one must first understand the designers' plan
for the structure itself. Far from a traditional office building,
this 11-story structure is broken into five distinct "platforms"
offset from each other and resembling a stack of books. While
each platform offers a different service (one is a "mixing
area" featuring an auditorium and gathering space, while another
houses administrative offices), the all-encompassing glass
attempts to visually pull the entire building together.
"The grid was conceived of as a net cast over these offset
platforms," said Sam Miller, project manager for Seattle's
LMN Architects. Because the glass is essentially clear, those
both inside and outside the building can still see the building's
separate elements.
The glass- which sits atop a diamond grid structural system
and features a static metal mesh in between two panels that
acts as a mini sun louver - wasn't always destined to be so
transparent. In an attempt to cut costs, the library board
at one point decided to implement a tinted glass instead that
would essentially act as a pair of sunglasses to shade the
building. As the design evolved, however, it was realized
that to provide the amount of shading necessary, the tinting
would have to be fairly dark, thus negating the architects'
vision of having the inside of the building visible from the
street. The board decided to splurge on the original metal
mesh system.
The metal mesh performs an interesting role; cut in a way
that both lets light in and shades it, depending on the angle
of the sun. Think of the louvers as vertical blinds on a window.
When the blinds are open, people looking out the window barely
see the louvers. From a different angle, however, such as
that of the sun, the blinds serve to block light. The metal
mesh system works similarly at the library. Views into and
out of the building are relatively unobstructed, while the
sun shining down from above is reflected away from the building.
The louvers' reflective properties help cool the building
extremely efficiently, and is one aspect of many that is putting
the structure on track to meet the U.S. Green Building Council's
LEED (Leadership in Energy and Environmental Design) Silver
certification. The design exceeds the city's energy code by
10 percent, and LEED's baseline standard by 40 percent. Buildings
striving to meet LEED standards are assigned points for meeting
certain "green" guidelines set forth by the council, which
will assign the building a rating once completed.
Keeping it Upright
Bounded by Spring and Madison to the north and south, and
Fourth and Fifth to the west and east, the $165 million (cost
includes the $10 million temporary central library in the
Washington State Trade and Convention Center complex) library
encompasses a full downtown city block. It replaces the former
library, which stood in the exact spot until it was demolished
in August, 2001, to make way for the new structure. Construction
started in the spring of 2002.
The uniquely shaped structure required a unique method of
structural support. While most traditional towers employ a
proportioned column grid, this structure uses asymmetrical
placement of perimeter and interior trusses, in places cantilevering
out to bear on opposing sloped steel box columns. The concrete
core and the concrete foundation walls (below 5th avenue)
on three sides act to tame the twist that the off-set platforms
naturally impose, while the exterior diamond grid system behind
the glass "net" serves as the building's seismic support system.
Many of the sloped columns remain visible throughout the
building, providing an interesting visual. Jay Taylor, project
manager for Seattle engineering firm Magnusson Klemencic Associates,
likens the support system to a table top with four legs. If
all four legs lean in one direction, the table falls over.
If the legs lean in opposing directions, however, the table
still remains upright.
The building's design came to the engineers (Magnusson Klemencic
and Arup, of London and Los Angeles) as a series of "boxes"
pierced by escalators and draped with the diamond grid "tension
net". To structurally support that plan, the engineering firms
knew additional beams and columns were needed. Instead of
imposing a regular column grid upon the structure, engineers
started with OMA's bare bones idea and added as few elements
as possible to achieve the design. The architects were very
open about the engineers' suggestions for the placement of
columns, beams and trusses, and the entire design and building
team worked closely together to tweak the angle or placement
of the support elements so they wouldn't violate the architecture.
"It was fairly liberating as an engineer," Taylor said.
"There was never a case of (the architects) saying 'absolutely
not' (to our ideas)."
All Aboard
The library is being built using the General Contractor/Construction
Manager (GC/CM) method. Hoffman Construction of Washington
(Seattle) has been on board from the beginning, something
the firm feels is necessary given the unique architecture
and the challenges involved in making sure the library is
built as is was designed to be.
"The challenge is to produce the architecture envisioned
by the architect," said Doug Winn, project executive for Hoffman.
"Our job is to let that expression happen."
Winn learned some lessons building unique structures as a
member of the Hoffman Construction team that built Seattle's
Experience Music Project - the "swoopy" music museum for Paul
Allen - back in 1999. In fact, the leaders of the EMP team
- Winn, Bob Vincent, Dale Stenning and Mike Martinez - have
reunited for the library job. Building a structure with architectural
aspects that stray from your typical tower or office building
takes a great deal of construction know-how and communication
between designers, contractors and subs. Technology comes
into play when figuring out angles of columns and the cost
of materials, but "it's really a people thing," said Winn.
"It's what's between the ears that counts."
Winn credits much of his team's success to a highly capable
group of subs and what he calls the "MACC (Maximum Allowable
Construction Cost) Tracker," a system of spreadsheets that
carefully track the progress of construction and send out
red flags when costs exceed what's expected. But moreover,
open communication and frequent meetings to talk things through
have proven to be the most important.
"I'm a firm believe that numbers and schedules need to hit
human brains," Winn said. "This system scratches where people
are itching."
Library leaders are excited about the project, and think
the future users of the library will be as well.
"I think the public will be really excited once they are
able to get inside," said Andra Addision, library spokesperson.
"On every floor, there's a connection to the city, with incredible
views of surrounding buildings, the mountains and the water.
I say it's like Safeco Field - there's not a bad seat in the
house!"
Substantial completion of construction is expected in Spring,
2004, with final completion to follow a couple months later.
Hand in Hand: Designers
Partner on Job
It's Easy Being Green
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